Grid List

Disney unveiled official Japanese international trailer for its upcoming epic Moana, Featuring the titular character in all of her inquisitive glory, the Japanese trailer showcases some of the latest and greatest Disney magic to hit the silver screen in November this year.

DreamWorks Animation and distribution partner 20th Century Fox have released a new trailer for CG-animated film Trolls — a fresh, broad comedy filled with music, heart and hair-raising adventures coming to theatres in November 2016. 

In today’s era of advance computing any 3D objects like food, sceneries speeding cars, missiles and blasts etc can be calculated in a flash. We keep on trying giving realistic looks with lighting and texturing. However, many surfaces still look unnatural. Whether it is skin, stone or wax - on the computer screen, all materials look alike, as if the objects had all been cut out of the same kind of opaque material.

GusGus’s anthemic dance track

Computer Graphics

Design studio karlssonwilker recently created a spellbinding animated music video for “Mexico,” the title track from GusGus’s ninth studio album via Kompakt Records.

Founded in 1990, The Mill is consistently recognized by peers and clients as a premier visual effects provider for both advertising agencies and brands, and has earned in excess of 1,000 industry awards. It has operations in the key markets of London, New York, Los Angeles and Chicago.

‘Captain America: The Winter Soldier’

Visual Effects

The below sizzle reel from Industrial Light & Magic (ILM) shows some of the work that went into the making of Captain America.

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Artiste Mamta Sen (also journalist) showcased her painting collection ‘The Wait’

Mamta Sen says, “Sawantwadi, a former princely state and part of the Konkan belt of western coast of Maharashtra has the highest number of farmers who have almost abandoned their lands and have been working as migrants in neighbouring cities for many years. The women and children left behind by their husbands eventually end up as mere ‘protectors’ of the lands they once toiled in. These lands end up either being sold off under pressure to the local land mafia or abandoned, empty or left deserted.  The women have no skills or techniques empowered to make use of their own fertile lands. The paintings mostly acrylics of canvas, highlight the plight of these women and their circumstances. These are the first of the series of the region.”

Born and brought up in Mumbai, the subjects of Mamta Chitnis Sen’s works are concentrated on rural Maharashtra. A journalist and an extensive traveller, Mamta, an alumni of Sir J J School of Art  has been instrumental in creating paintings in oils and acrylics documenting the slow yet disappearing lives and identity of people, especially women living in rural India. A palette knife artist, Mamta aims to showcase the rustic rural landscape of interior India, specially Maharashtra and Bengal through her works, which is losing itself to the ills of urbanization. Her present exhibition The Wait revolving around the women of Sawantwadi is one such display of works that highlights the subject of migrant defection to cities leaving the women behind to look after the deserted and abandoned dry fields.

Artiste Mamta Sen (also journalist) showcased her painting collection ‘The Wait’

Artist Mamta Sen

Mamta’s experience in making use of art and experimental theatre as a medium with women to touch upon the various social and current issues that they undergo in various spectrum of society also forms the basis of her works which depict both men and women in single or in groups bonding together to voice an emotion. She founded CanvasClan, a congregation of painters from various age groups in 2011 and organised two art exhibitions under the banner—Random Strokes (at Sir J J School of Art) and Resurrection Bihar (in celebration of 100 years of Bihar state) in Mumbai in 2012. She has also exhibited her works in several group shows across India and is in the process of documenting the art history of her alma mater Sir J J School of Art and its allied branches pre and post 1857 when the Institute was first founded.

The first part of her study on the existence of a state of the art Pottery Department in Mumbai at the Institute’s campus grounds by the British has been published in Rug-Ved, the Institute’s annual journal. The article sheds light on an abolished pottery building set up by the British between 1873-1875 which grew to such fame and glory that it threatened the sales of the famed Wedgewood Company in London. The building was later torn down in 1926 following the terrible plague which led to the decline of pottery students frequenting the campus premises thereby affecting the production and sale of ceramic products.

An avid art enthusiast cum artist and photographer, Mamta has also curated a photography exhibition “Loneliness in Wilderness’ showcasing the declining wildlife in urban areas of India.  Mamta is currently the Executive Editor of Dignity Dialogue, one of India’s foremost national magazines exclusively for the 50 plus age group. She has been a journalist with The Sunday Guardian writing on political issues and has also worked with reputed publications like Mid-Day, Society magazine and Sunday Observor. She volunteers as Social Network Officer with World Citizen Artists-- a forum of international artists, musicians and writers founded in Paris in 2013.  She has also authored research papers on the evolving role of women in political parties in India.

Painting collection ‘The Wait’

Artiste Mamta Sen (also journalist) showcased her painting collection ‘The Wait’

Artiste Mamta Sen (also journalist) showcased her painting collection ‘The Wait’

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